The Secrets For Stunning Black And White Street Photography On iPhone

*All photos shot By Iphone XS Max

Do you want to take amazing black and white street photos–using only your iPhone? Black and white street photography can be incredibly powerful. You just have to know what to do! Read on to discover 7 secrets for amazing black and white street photography.

1. Shoot During The Golden Hours For The Best iPhone Street Light

Great photography starts with great light. So, to get great black and white street photography…

…you need to find some light that really blows people away.You see, light can make or break a black and white photo.

If your shot has poor light, it just won’t work. But if your shot has good light?
Then it can be amazing. Notice how the light created a long shadow in the photo below. If the light had been different, I wouldn’t have captured such a powerful shot.

What counts as good light?

When it comes to black and white street photography, I recommend you only shoot during early morning and late afternoon.

(These are known as the golden hours.)

During these times, the sun is low on the horizon. The light is soft and pleasant.
 
But, most importantly, you get great shadows and silhouettes.

These are fantastic for adding a sense of drama and mystery to your street photos

So, here’s the bottom line:
Shoot during the golden hours. That’s when you’ll get the most stunning photos.

2. Use The Rule Of Thirds For Perfect Black And White Street Photography Compositions

How do you create gorgeous black and white compositions?

That is, how do you decide how to arrange the main elements in your photos?

Mastering composition might seem tough.

Fortunately, there are a few simple tricks you can use–tips that will immediately take your compositional abilities to the next level.

Here’s the first of the street photography composition tips:
Use the rule of thirds.

Now, the rule of thirds is quite simple. It states:

Find the main elements in your composition. And place these elements a third of the way into the frame.

Here’s a neat trick:

Your iPhone has a built-in rule of thirds grid to help you get your subject in the perfect position.

Notice how the person in the photo above falls along the right gridline. That’s because I followed the rule of thirds when composing my photo. I placed the person a third of the way into the frame.

To turn on the grid, simply open the Settings app, select Camera, then switch the Grid option to On.

And voila! Your iPhone camera screen will display a grid.

This is super useful for composing your street photography shots. I’d recommend you keep the grid on all the time.

That way, when you’re out shooting, you can reference the grid. And you can line it up with the main elements of your photos!

If you have a horizon in your photo, place it along the top or bottom gridline.

If you have a person in your photo, place them at the intersection of two gridlines.

But the rule of thirds isn’t the only compositional trick out there. Read on to find out another…

3. Look For Shapes, Lines, And Patterns For Eye-Catching Compositions

Here’s another composition tip for incredible black and white street photography:
When you’re out shooting, look for shapes. Look for lines. And look for patterns.

These elements all look stunning in black and white photos. They make a bold statement that really catch the viewer’s eye.

Let’s take these elements one at a time:

First, you should look for obvious shapes. For instance, arches create clear ovals.
And windows are powerful squares–or sometimes even circles.
 

 Second, you should look for lines.

Just look for poles, railings, and the edges of buildings. These will all make for great compositional elements.

Shadows also create amazing lines. I can’t emphasize this enough: Take advantage of shadows. Use them whenever you can.

Try composing your shot so that the lines lead from the foreground to the background.

This creates amazing depth, drawing the viewer’s eye into the photo.

Finally, look for patterns.

Now, patterns exist everywhere in the city. You just have to look carefully.

There are huge walls full of windows.

There are blocks with identical doors.

And you’ll often find interesting patterns in paving on the ground.

Once you’ve found a pattern, compose your photo to emphasize it.

Try filling the entire frame with the pattern. This will have an incredibly strong visual impact.

Using graphical urban design elements, such as shapes, lines, and patterns will blow the viewer away.

4. Add A Single Person To Complete The Shot

When I do street photography, I almost always include one person.

Why?

Because a person acts as a focal point. A person gives the viewer something to focus on in the photo.

However, it’s important that you don’t have too many people in your photo. One person is perfect.

Because too many people will be distracting. The viewer won’t know where to look.

Here’s what you should do:

Start by finding a beautiful background.
The best backgrounds have lines, shapes, and patterns. Notice the geometry in the background below:

Then simply wait for a person to walk into the frame.

You might have to wait a bit for the perfect moment. But be patient. Someone will walk through eventually.

Now, here’s the key thing to remember:

You want to make sure the person is standing in the best place possible.

Use the rule of thirds for this. Place the person at the intersection of two gridlines. Or place them along one of the gridlines.

Notice how the person in the photo below stands along the left gridline.

If you can include a person in your shot, you’ll get the absolute best image possible.
People add so much to a street image.
It’s exactly what you want.

5. Find A High Vantage Point For The Most Unique Photos

If you want truly unique black and white photography, then you’re going to need to change things up a bit.

You’re going to need to capture black and white pictures that nobody else has thought of–which is a tall order.

But here’s a great way of taking unique photos:

Find a high vantage point.

And then shoot downward.

A high vantage point could be a bridge, a cliff, or a window. Just find a place that lets you look out at the scene in an unusual way.

Look at the photo above. Without my high vantage point, this shot would be boring.

But, by finding a high vantage point, I took an extremely unusual photo.

High vantage points work best when the shadows are long and heavy.

So you should definitely wait until the golden hours before trying this.

Remember, a high vantage point really can take your images to the next level.

6. Shoot In Black And White To Master The Medium

If you want to master black and white street photography…

…then I recommend you shoot in black and white.

That is, your iPhone screen should show the image in black and white (rather than color).

I shoot in black and white all the time.

Because shooting black and white helps you see the world without color.

You’ll start to notice what contrasts with what. And you’ll notice how you can take incredible photos in black and white.

Here’s the good news: Your iPhone has a handy filter that lets you photograph in black and white.
Simply tap the filter icon (three overlapping circles) in the built-in Camera app.

Then scroll to the three black and white filters, and choose whichever is to your liking.

Now, you’ll be able to take black and white photos–in real time.

After taking the shot, you can always remove the filter and convert the photo back to a color image if you like.

But shooting in black and white will really give you a head-start.

7. Return To The Same Place Repeatedly For The Best Shots

Powerful street photography is all about good light.

But the light actually changes…

…on a day-to-day basis.

So, when you find a location you like, don’t just shoot it once and then leave.
Instead, think about how the location might change over time.

What would the location look like under an evening sun? What would the location look like in the winter or in the rain?

 If you return to the same location, over and over again, you’ll start to notice unique photogenic qualities about that location.

You’ll become intimately familiar with it.

And you’ll take unbelievable photos over and over again.

Now, as you can see from everything we’ve covered, iPhone photography looks really simple on the surface. But when you start digging deeper, it’s really not that simple.

There are so many little-known tricks and techniques you can use to improve your iPhone photos. And we could only share a handful of them in a blog post like this.

But here’s the good news: Once you really understand iPhone photography, you’ll be taking the kind of photos that nobody will even believe were shot with the iPhone!

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Eat with Your Eyes: Iphone Food Photography

“Food is essential to life, therefore, make it good.”

 Nowadays, S. Truett Cathy’s quote should have been slightly different. The founder of Chick-fil-A might have rephrased his words to this: “Food is essential to life, therefore, photograph it good.” Today’s world is all about visibility, showing off. You didn’t eat it if you don’t have a picture of it, and you better be sharing it, too! As the #instafood hashtag reaches almost 46 million on Instagram, you can be sure that mobile food photography is more than just a trend. Here are some insights into the world of contemporary food photography so that when you get that perfect dish, you’ll know exactly what to do.

One-Man Show

Let’s face it, you’re not going to hire a food stylist or a professional photographer, or rent expensive lighting equipment just to shoot the food you’ve made or are about to eat – unless of course, you’re a chef or a restaurant owner. It’s more likely that you’re sitting down to a romantic dinner in a fancy restaurant, preparing an extravagant Sunday brunch or grabbing a quick dirty-water hotdog off the street on your way home from work. Lucky for you, you’ve got the perfect camera for that – the one that’s in your back pocket or purse. And in that case, you are your own stylist, you create your own lighting and you’ll be shooting your own photo – but not to worry! With a few simple rules, you’re sure to master all three.

Style Your Food

There isn’t one way to style your food, it depends on many things: the food’s colors, textures, ingredients, the plate or bowl it is served on – to name just a few. Moreover, you’ll want to develop your own style: it could be a certain angle that appeals to you, objects or utensils that appear in every one of your food photos, a particular kind of plate, a special surface or a combination of it all. Remember, even no-style can be a style, so don’t try to turn your dish into something it’s not or go crazy with unnecessary extras that will keep the eye busy, instead of focused on the food. Be consistent and keep one priority in mind: making your subject look tempting and appealing because after all, that’s what it’s all about.

Light it Up

The quiet-dark-romantic-corner table is always the most coveted one at a restaurant, right? Wrong. The best table for a foodstagrammer is the one that’s right where the light is – near a window during the day or right under the lights (preferably soft ones!) if it’s nighttime. If you’re still stuck with a dark, badly-lit table, try different angles or different plate positions to maximize the light you do have. The ability of today’s smartphone cameras to cope with low-light situations is better than ever. Whatever you do, don’t use the flash. Natural light is always better than that white, artificial one. Any artificial light, especially if it’s direct, tends to exaggerate shadows and texture, distort shape and color and add unwanted glare. Remember, you can increase brightness and experiment with Perfectly clear’s Clarity tool or snapseed's  to correct dimly-lit images, but you won’t always be able to darken burned areas.

Well-Composed Food

A well-composed photograph is something that is noticed immediately, but those that are badly composed are sure to stick out like a sore thumb. Arrange the objects within your photograph in a way that will make them stand out. You’ll want to follow the basic rules of composition with food photography as well.

Be aware that putting a single object right in the middle of the picture is likely to bore your viewer. Always remember the rule of thirds – heck, you don’t even have to anymore – almost every smartphone camera nowadays has the option of adding a 9-part grid layout (tip: to do this on iPhone, simply go to Settings > Photos & Camera > Grid). You’ll want to put that basket of fried chicken or that warm slice of apple pie, right along the grid’s intersections, which is where the human eye will naturally be drawn.

Stay Focused

Another fundamental element of a well-composed food photo is focus. With Enlight’s Tilt-Shift tool, it’s easy to experiment with depth of field and create focus points that lead the viewer’s eye to the most important aspect of the picture

Your waitress just handed you a mouthwatering bacon cheeseburger, topped with a fried egg and caramelized onions? That’s your main subject. But you also probably ordered a small plate of french fries along with it, didn’t you? Keep those iconic yellow fries in your burger photo, but place them deliberately in the background. Be sure to defocus that area when post-processing. People will be able to tell that the blurry yellow things behind that juicy, well-focused burger are french fries, and you’ve just added interest and another object to your image without compromising the main subject.






Framing and Angles
Framing your object is very important when dealing with food, and the correct angle is crucial for that. The most popular angles used by food photographers are 45 degrees (shooting from the point-of-view of someone seated at the table) or 90 degrees (from directly above the food).

 
 The rule of thumb when dealing with multiple dishes, flat food (i.e. pizza, cookies, omelettes) or soups is to hold or mount the camera right above the table. Align the main objects along the 9-grid intersections for that extra touch. Alternatively, when you shoot one dish, you’ll want to use the 45-degree angle. Don’t be afraid to frame your photo in a way that cuts out part of the subject, with food it’s often best when it’s “in your face”. Combining a good frame and angle with a carefully contemplated composition and a touch of focus will ensure an #instafood hit .

Play With Your Food

Now that you’ve mastered the technical aspects of food photography, it’s time to get think outside the box! Remember what your mother said about playing with food? Well, forget about it and start doing the opposite. If you want to stand out among all the Instagram foodies, you need to play with your food – you need to tell a story.
Telling a story with food can be quite easy, just ask Japanese moms how they make the “Bento”, the famous Japanese lunch box for their kids. Rice and seaweed are rearranged as panda bears, hot dogs as octopuses and carrots as flowers – each lunch box gets a life of its own.

So get creative – even whimsical – when arranging food to be photographed.  Turn pepper rings into clouds, sprouts into grass, and transform watermelon slices into rays of sunshine. This is not only a great way to add interest to your photos but a foolproof way to trick kids into eating healthy food!

Shoot Fast

As always with photography – timing is crucial. You’ll want to shoot your food as soon as it arrives at your table or as soon as you take it out of the oven. Otherwise, you risk getting bad photos and ultimately eating cold food, if your hundredth attempt to get the perfect angle and composition for that steak fails yet again. Ignore this advice and your food photo could end up on @cookingforbae or Someone Ate This, the online halls of shame for food photography. Oh, and one more thing: make sure you know the food photography policy of the restaurant you’re dining in. Some (for unknown reasons) completely ban food photography, while others welcome it or even create special plates for us enthusiastic foodstagrammers!




Edit Later

I get it, you really want your followers to see what you’re about to eat as soon as possible, and only after you’ve edited to perfection. However, don’t be that guy. Holding your smartphone in weird poses while your food gets cold or not uttering a word because you are too busy debating between different filters is a surefire way to annoy those you’re dining with. Dedicate time to edit comfortably at your own pace. A great edit or a carefully curated collage of your meal may mean the difference between a mediocre image and a perfect one.




 “Food is Essential to Life…”

Most importantly, don’t forget to eat! Enjoy your food and revel in the fact that food photography will only add to your gastronomic experience. You’ll start to notice colors and textures you would not have noticed otherwise, be exposed to a whole new community of food and photo lovers and learn to preserve memories of events or personal cooking successes with your own succinct style. Just remember, (in the improvised words of the late S. Truett Cathy) if you are going to photograph your food, you better make it look good. Bon Appétite!

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